http://www.hildahellstrom.se www.hildahellstrom.se Tue, 20 Nov 2012 05:07:39 +0000 http://www.hildahellstrom.se en http://hildahellstrom.se/Sedimentation-Trivets-Tiles http://hildahellstrom.se/following/hildahellstrom.se/Sedimentation-Trivets-Tiles Tue, 20 Nov 2012 05:07:39 +0000 www.hildahellstrom.se 4470061 S e d i m e n t a t i o n   T r i v e t s  &  T i l e s Sedimentation is a series of objects where patterns are created to interpret sedimentary stone. The ‘sedimentation’ is formed by casting layers of differently pigmented Jesmonite. Certain elements of the process are tightly monitored, while others are more haphazard. The result is that each urn is meticulously crafted and uniquely patterned. It is an interplay between control and coincidence, a juxtaposition that informs many of Hellström’s processes. <img src="http://payload108.cargocollective.com/1/8/270190/4470061/coasterLowres.jpg" width="670" height="434" width_o="1820" height_o="1181" src_o="http://payload108.cargocollective.com/1/8/270190/4470061/coasterLowres_o.jpg" data-mid="23710532" border="0" align="left"/><img src="http://payload108.cargocollective.com/1/8/270190/4470061/Tiles_HildaHellstrom.jpg" width="670" height="448" width_o="2048" height_o="1370" src_o="http://payload108.cargocollective.com/1/8/270190/4470061/Tiles_HildaHellstrom_o.jpg" data-mid="23710580" border="0" align="left"/><img src="http://payload108.cargocollective.com/1/8/270190/4470061/SedimentationTrivetsLowres.jpg" width="670" height="406" width_o="1462" height_o="886" src_o="http://payload108.cargocollective.com/1/8/270190/4470061/SedimentationTrivetsLowres_o.jpg" data-mid="24561882" border="0" align="left"/><img src="http://payload108.cargocollective.com/1/8/270190/4470061/Tile2_HildaHellstrom.jpg" width="670" height="426" width_o="2048" height_o="1303" src_o="http://payload108.cargocollective.com/1/8/270190/4470061/Tile2_HildaHellstrom_o.jpg" data-mid="23710632" border="0" align="left"/> S e d i m e n t a t i o n   T r i v e t s  &  T i l e s Sedimentation is a series of objects where patterns are created to interpret sedimentary stone. The... http://hildahellstrom.se/The-Monument-for-Swarovski-OBJECT http://hildahellstrom.se/following/hildahellstrom.se/The-Monument-for-Swarovski-OBJECT Tue, 23 Oct 2012 05:00:03 +0000 www.hildahellstrom.se 4306179 T h e   M o n u m e n t   f o r   S w a r o v s k i   (O B J E C T) During the summer of 2012 I developed a project commissioned by Swarovski for their exhibition Digital Crystal: Swarovski at the Design Museum (5 September 2012 – 13 January 2013). I worked with moving images to accompany and tell a story about the object, thus created a mythological place and setting in which the object would exist. The exhibition brief was ‘Memory in a Digital Age’ and as a response I used my favourite pastime – travelling with Google Earth - as a tool to develop a fictive memory about a place. When digitally travelling to Wattens, the home and headquarters of Swarovski, I started to imagine the people of the small Austrian town and their lives in the Tyrollean mountains. Based on these fantasies, an abstract narrative was conceived and interpreted into a short film.  The co-starring object was created with the assistance of 3D imaging programs,  transferring the topography of Wattens from Google Earth to a digital milling machine that milled the landscape in casted Jesmonite (see Sedimentation) and Swarovski crystal. Out of this I created a monument dedicated to my fictional friends in the Tyrollean mountains, as an ode to craft in a digital world. The project took form as an installation, with a film, a monument and sound creating a multifaceted experience, a glimpse into a fictional world.   The project consists of a film, a monument and a sound joined together in a intimate environment. <img src="http://payload100.cargocollective.com/1/8/270190/4306179/TheMonumentForSwarovski.jpg" width="670" height="1043" width_o="1890" height_o="2944" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/TheMonumentForSwarovski_o.jpg" data-mid="24561935" border="0" align="left"/> <img src="http://payload100.cargocollective.com/1/8/270190/4306179/topp.jpg" width="670" height="443" width_o="1072" height_o="709" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/topp_o.jpg" data-mid="23444609" border="0" align="left"/> <img src="http://payload100.cargocollective.com/1/8/270190/4306179/crystal.jpg" width="670" height="1048" width_o="2048" height_o="3204" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/crystal_o.jpg" data-mid="23442718" border="0" align="left"/> <img src="http://payload100.cargocollective.com/1/8/270190/4306179/The Monument by Hilda Helstrom for Swarovski- images courtesy of David Levene7.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/The Monument by Hilda Helstrom for Swarovski- images courtesy of David Levene7_o.jpg" data-mid="22741640" border="0" align="left"/> At the Design Museum / Image Courtesy David Levene <img src="http://payload100.cargocollective.com/1/8/270190/4306179/Small.jpg" width="670" height="446" width_o="1555" height_o="1037" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/Small_o.jpg" data-mid="22741753" border="0" align="left"/> Installing <img src="http://payload100.cargocollective.com/1/8/270190/4306179/IMG_3111.JPG" width="670" height="376" width_o="2048" height_o="1149" src_o="http://payload100.cargocollective.com/1/8/270190/4306179/IMG_3111_o.JPG" data-mid="22741794" border="0" align="left"/> Cutting the crystal T h e   M o n u m e n t   f o r   S w a r o v s k i   (O B J E C T) During the summer of 2012 I developed a project commissioned by Swarovski for their... http://hildahellstrom.se/The-Monument-for-Swarovski-FILM http://hildahellstrom.se/following/hildahellstrom.se/The-Monument-for-Swarovski-FILM Sun, 05 Aug 2012 12:34:03 +0000 www.hildahellstrom.se 3867495 T h e   M o n u m e n t   f o r   S w a r o v s k i   (F I L M) During the summer of 2012 I developed a project commissioned by Swarovski for their exhibition Digital Crystal: Swarovski at the Design Museum (5 September 2012 – 13 January 2013). I worked with moving images to accompany and tell a story about the object, thus created a mythological place and setting in which the object would exist. The exhibition brief was ‘Memory in a Digital Age’ and as a response I used my favourite pastime – travelling with Google Earth - as a tool to develop a fictive memory about a place. When digitally travelling to Wattens, the home and headquarters of Swarovski, I started to imagine the people of the small Austrian town and their lives in the Tyrollean mountains. Based on these fantasies, an abstract narrative was conceived and interpreted into a short film.  The co-starring object was created with the assistance of 3D imaging programs,  transferring the topography of Wattens from Google Earth to a digital milling machine that milled the landscape in casted Jesmonite (see Sedimentation) and Swarovski crystal. Out of this I created a monument dedicated to my fictional friends in the Tyrollean mountains, as an ode to craft in a digital world. The project took form as an installation, with a film, a monument and sound creating a multifaceted experience, a glimpse into a fictional world.   Watch the trailer HERE Cinematography and post-production Wai Ming Ng Sound Kendal Johansson <img src="http://payload78.cargocollective.com/1/8/270190/3867495/06.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/06_o.jpg" data-mid="20170721" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867495/05.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/05_o.jpg" data-mid="20170734" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867495/03.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/03_o.jpg" data-mid="20170753" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867495/09.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/09_o.jpg" data-mid="20170767" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867495/02.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/02_o.jpg" data-mid="20170785" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867495/07.jpg" width="670" height="376" width_o="1920" height_o="1080" src_o="http://payload78.cargocollective.com/1/8/270190/3867495/07_o.jpg" data-mid="20170792" border="0" align="left"/> T h e   M o n u m e n t   f o r   S w a r o v s k i   (F I L M) During the summer of 2012 I developed a project commissioned by Swarovski for their... http://hildahellstrom.se/The-Materiality-of-a-Natural-Disaster-FILM http://hildahellstrom.se/following/hildahellstrom.se/The-Materiality-of-a-Natural-Disaster-FILM Sun, 05 Aug 2012 12:29:43 +0000 www.hildahellstrom.se 3867465 T h e   M a t e r i a l i t y   o f   a   N a t u r a l   D i s a s t e r    (F I L M) I graduated from the Royal College of Art in June of 2012 with this project entitled, The Materiality of a Natural Disaster. The project began with the notion of the 'myth’, investigating the idea of the mythical object as a tool that helps us understand or relate to our reality. A small piece of the Berlin wall, for example, can be a physical symbol of a significant event in history and also assist in processing the event - and as such it becomes a loaded object, laden with meaning and emotion. In my research I found similarities between the mythical object and what Donald Winnicott named the transitional object, ie. how a teddy bear is used by a child to be able to meet, understand and make sense of the surrounding world.  With this, the aim of my project was to construct an object which would speak of a much larger event than the object itself and would thus inhabit a narrative that would go far beyond its form or function.  My thesis was that there are places and people that inhabit more narrative than other, or have a story that everyone can relate to. What if you were able to extract material from this person or this place, and create objects from this material imbued with symbolic meaning? Could these objects serve as or become mythical objects?  Through research, I learnt about Naoto Matsumura, the last man still living in nuclear exclusion zone near the Daiichi power plants in Fukushima, Japan. With the help of The Foreign Correspondence Club Japan, I was able to get in contact with Matsumura who showed great interest in collaborating on the project. For four days I documented Matsumura’s day-to-day life inside the evacuated zone, the result of which was edited into a twelve minute documentary. In an attempt to make use of the wasteland, which due to radiation has become all but uselfull, we collected soil from his rice fields to create souvenirs, physical memoirs reflecting the situation inside the zone. From this soil, I made a series of low level radioactive food vessels which, being of utter inutility, are an allegory which speaks to the devastation of nuclear disaster. To read more about my experience in Fukushima, please visit Disegno. <img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.49.16.png" width="670" height="370" width_o="1439" height_o="795" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.49.16_o.png" data-mid="20170551" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.52.33.png" width="670" height="370" width_o="1440" height_o="797" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.52.33_o.png" data-mid="20170562" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.54.13.png" width="670" height="370" width_o="1440" height_o="796" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.54.13_o.png" data-mid="20170574" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.54.38.png" width="670" height="369" width_o="1439" height_o="794" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.54.38_o.png" data-mid="20170584" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.55.46.png" width="670" height="371" width_o="1440" height_o="798" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.55.46_o.png" data-mid="20170610" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.56.39 .png" width="670" height="369" width_o="1439" height_o="794" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.56.39 _o.png" data-mid="20170628" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.09.png" width="670" height="370" width_o="1440" height_o="796" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.09_o.png" data-mid="20170646" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.30.png" width="670" height="370" width_o="1440" height_o="797" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.30_o.png" data-mid="20170657" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.53.png" width="670" height="371" width_o="1440" height_o="798" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.57.53_o.png" data-mid="20170666" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.58.11.png" width="670" height="370" width_o="1440" height_o="796" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.58.11_o.png" data-mid="20170674" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.59.31.png" width="670" height="370" width_o="1440" height_o="796" src_o="http://payload78.cargocollective.com/1/8/270190/3867465/Screen shot 2012-06-21 at 17.59.31_o.png" data-mid="20170681" border="0" align="left"/> T h e   M a t e r i a l i t y   o f   a   N a t u r a l   D i s a s t e r    (F I L M) I graduated from the Royal College of Art in June of 2012... http://hildahellstrom.se/The-Materiality-of-a-Natural-Disaster-VESSELS http://hildahellstrom.se/following/hildahellstrom.se/The-Materiality-of-a-Natural-Disaster-VESSELS Sun, 05 Aug 2012 12:13:09 +0000 www.hildahellstrom.se 3867392 T h e   M a t e r i a l i t y   o f   a   N a t u r a l   D i s a s t e r    (V E S S E L S) I graduated from the Royal College of Art in June of 2012 with this project entitled, The Materiality of a Natural Disaster. The project began with the notion of the 'myth’, investigating the idea of the mythical object as a tool that helps us understand or relate to our reality. A small piece of the Berlin wall, for example, can be a physical symbol of a significant event in history and also assist in processing the event - and as such it becomes a loaded object, laden with meaning and emotion. In my research I found similarities between the mythical object and what Donald Winnicott named the transitional object, ie. how a teddy bear is used by a child to be able to meet, understand and make sense of the surrounding world.  With this, the aim of my project was to construct an object which would speak of a much larger event than the object itself and would thus inhabit a narrative that would go far beyond its form or function.  My thesis was that there are places and people that inhabit more narrative than other, or have a story that everyone can relate to. What if you were able to extract material from this person or this place, and create objects from this material imbued with symbolic meaning? Could these objects serve as or become mythical objects?  Through research, I learnt about Naoto Matsumura, the last man still living in nuclear exclusion zone near the Daiichi power plants in Fukushima, Japan. With the help of The Foreign Correspondence Club Japan, I was able to get in contact with Matsumura who showed great interest in collaborating on the project. For four days I documented Matsumura’s day-to-day life inside the evacuated zone, the result of which was edited into a twelve minute documentary. In an attempt to make use of the wasteland, which due to radiation has become all but uselfull, we collected soil from his rice fields to create souvenirs, physical memoirs reflecting the situation inside the zone. From this soil, I made a series of low level radioactive food vessels which, being of utter inutility, are an allegory which speaks to the devastation of nuclear disaster. To read more about my experience in Fukushima, please visit Disegno. <img src="http://payload78.cargocollective.com/1/8/270190/3867392/Vessels.jpg" width="670" height="441" width_o="2048" height_o="1348" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/Vessels_o.jpg" data-mid="23151305" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867392/salad_bowl.jpg" width="670" height="439" width_o="2048" height_o="1342" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/salad_bowl_o.jpg" data-mid="23151000" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867392/fish_platter.jpg" width="670" height="431" width_o="2048" height_o="1319" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/fish_platter_o.jpg" data-mid="23151014" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867392/rice_bowl.jpg" width="670" height="423" width_o="2048" height_o="1294" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/rice_bowl_o.jpg" data-mid="23151033" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867392/vase.jpg" width="670" height="440" width_o="2048" height_o="1345" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/vase_o.jpg" data-mid="23151047" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867392/decanter.jpg" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/decanter_o.jpg" data-mid="23151060" border="0" align="left"/> <img src="http://payload78.cargocollective.com/1/8/270190/3867392/Digging.jpg" width="670" height="374" width_o="2048" height_o="1145" src_o="http://payload78.cargocollective.com/1/8/270190/3867392/Digging_o.jpg" data-mid="20170352" border="0" align="left"/> Digging soil in Fukushima T h e   M a t e r i a l i t y   o f   a   N a t u r a l   D i s a s t e r    (V E S S E L S) I graduated from the Royal College of Art in June of... http://hildahellstrom.se/Sedimentation-urns-vessels http://hildahellstrom.se/following/hildahellstrom.se/Sedimentation-urns-vessels Sun, 05 Aug 2012 12:03:27 +0000 www.hildahellstrom.se 3867379 S e d i m e n t a t i o n   u r n s   &   v e s s e l s Having an interest for Phenomenological conceptions such as Subjectivity, this started out as an investigation of what we conceive as ‘fake’ in opposition to the ‘real’. Inspired by ancient rock formations and the strata within them, the pieces are a contemporary interpretation of such geological phenomena. Using Jesmonite with an array of different pigments while constantly experimenting during the casting process, produces undulating coloured strata and fantastical patterns. Certain elements of the process are tightly monitored, while others are more haphazard and left to chance. Each resulting vessel is meticulously crafted and no two are alike -forming an interplay between control and coincidence, a juxtaposition that often informs Hellström's process. The vessels have the weight, density and feeling of natural stone, and to an extent even have a similar gradation, yet there is a recognition in the swirling layers of vivid colours that it couldn’t have been formed by nature alone. The patterns are too magical, and the ‘stone’ from which the vessels are made possess an otherworldly quality, appearing as though they could have been mined from a far away planet. The intention is not to create a perfect copy of what nature already has designed, but an attempt to perhaps surpass it; creating something ‘even better than the real thing’.  <img src="http://payload78.cargocollective.com/1/8/270190/3867379/vessel4lowres.jpg" width="670" height="969" width_o="886" height_o="1282" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/vessel4lowres_o.jpg" data-mid="24562091" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/vessel3lowres.jpg" width="670" height="810" width_o="886" height_o="1072" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/vessel3lowres_o.jpg" data-mid="24562088" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/HildaHellstrom.jpg" width="670" height="446" width_o="1772" height_o="1181" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/HildaHellstrom_o.jpg" data-mid="24562021" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/oa.jpg" width="670" height="446" width_o="1772" height_o="1181" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/oa_o.jpg" data-mid="24648267" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/Minke.jpg" width="670" height="446" width_o="1890" height_o="1260" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/Minke_o.jpg" data-mid="26845391" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/Sedimentation2.jpg" width="670" height="999" width_o="2048" height_o="3056" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/Sedimentation2_o.jpg" data-mid="24562015" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/Sedimentation3.jpg" width="670" height="446" width_o="1329" height_o="886" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/Sedimentation3_o.jpg" data-mid="24562042" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867379/vessels2lowres.jpg" width="670" height="651" width_o="1214" height_o="1181" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/vessels2lowres_o.jpg" data-mid="24562057" border="0" align="left"/> <img src="http://payload78.cargocollective.com/1/8/270190/3867379/cubesmall.jpg" width="670" height="608" width_o="750" height_o="681" src_o="http://payload78.cargocollective.com/1/8/270190/3867379/cubesmall_o.jpg" data-mid="20410046" border="0" align="left"/> S e d i m e n t a t i o n   u r n s   &   v e s s e l s Having an interest for Phenomenological conceptions such as Subjectivity, this started out as an... http://hildahellstrom.se/Water-Light http://hildahellstrom.se/following/hildahellstrom.se/Water-Light Sun, 05 Aug 2012 12:00:03 +0000 www.hildahellstrom.se 3867363 W a t e r   L i g h t A chrysalis shaped lighting which conciders the atmosphere it creates in a space. <img src="http://payload78.cargocollective.com/1/8/270190/3867363/lit2_5.jpg" width="670" height="829" width_o="750" height_o="929" src_o="http://payload78.cargocollective.com/1/8/270190/3867363/lit2_5_o.jpg" data-mid="20527838" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867363/waves2_7.jpg" width="670" height="829" width_o="750" height_o="929" src_o="http://payload78.cargocollective.com/1/8/270190/3867363/waves2_7_o.jpg" data-mid="20527840" border="0" align="left"/> <img src="http://payload78.cargocollective.com/1/8/270190/3867363/lampa3small_14.jpg" width="670" height="670" width_o="750" height_o="750" src_o="http://payload78.cargocollective.com/1/8/270190/3867363/lampa3small_14_o.jpg" data-mid="20527909" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867363/lampa2small_9.jpg" width="670" height="670" width_o="750" height_o="750" src_o="http://payload78.cargocollective.com/1/8/270190/3867363/lampa2small_9_o.jpg" data-mid="20527846" border="0" align="left"/> <img src="http://payload78.cargocollective.com/1/8/270190/3867363/Cocoonsmall.jpg" width="670" height="491" width_o="750" height_o="550" src_o="http://payload78.cargocollective.com/1/8/270190/3867363/Cocoonsmall_o.jpg" data-mid="20417230" border="0" align="left"/> W a t e r   L i g h t A chrysalis shaped lighting which conciders the atmosphere it creates in a space. http://hildahellstrom.se/Copy-Kitchen-The-Sausage-Machine http://hildahellstrom.se/following/hildahellstrom.se/Copy-Kitchen-The-Sausage-Machine Sun, 05 Aug 2012 11:48:55 +0000 www.hildahellstrom.se 3867325 C o p y   K i t c h e n   /   T h e   S a u s a g e   M a c h i n e For the 2011 edition of DMY in Berlin RCA Platform 10 was invited to have a workshop under the theme 'copy'. While looking into small scale domestic productions, where dishes and recipes have been copied and refined throughout generations, we found a fascination for the efficiency of the sausage machine. As a collaboration with Marjan Van Aubel and Ola Mirecka we brought a sausage machine, some wheat flour and pigment to DMY to see what we could develop during the 5 days of exhibition. The project later developed into a series of tableware which was exhibited at Christie's South Kensington during LDF 2011. <img src="http://payload78.cargocollective.com/1/8/270190/3867325/sausage_hildahellstrom_6.jpg" width="670" height="407" width_o="750" height_o="456" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/sausage_hildahellstrom_6_o.jpg" data-mid="23722541" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/sausage2_hildahellstrom_7.jpg" width="670" height="407" width_o="750" height_o="456" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/sausage2_hildahellstrom_7_o.jpg" data-mid="23722547" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/sausage3_hildahellstrom_8.jpg" width="670" height="407" width_o="750" height_o="456" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/sausage3_hildahellstrom_8_o.jpg" data-mid="23722562" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/sausage4_hildahellstrom_9.jpg" width="670" height="407" width_o="750" height_o="456" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/sausage4_hildahellstrom_9_o.jpg" data-mid="23722593" border="0" align="left"/> <img src="http://payload78.cargocollective.com/1/8/270190/3867325/textile.jpg" width="670" height="448" width_o="1772" height_o="1186" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/textile_o.jpg" data-mid="20169597" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/DSC09267.JPG" width="670" height="448" width_o="2048" height_o="1370" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/DSC09267_o.JPG" data-mid="20169610" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/pile.jpg" width="670" height="447" width_o="1506" height_o="1006" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/pile_o.jpg" data-mid="20169616" border="0" align="left"/><img src="http://payload78.cargocollective.com/1/8/270190/3867325/playwithfood.jpg" width="670" height="452" width_o="2048" height_o="1383" src_o="http://payload78.cargocollective.com/1/8/270190/3867325/playwithfood_o.jpg" data-mid="20169640" border="0" align="left"/> C o p y   K i t c h e n   /   T h e   S a u s a g e   M a c h i n e For the 2011 edition of DMY in Berlin RCA Platform 10 was invited to have a workshop...